Diver Dan? Who's he? Never mind, this is art

CAROLINE OVERINGTON

18/03/2000

The Age

 

SYDNEY

 

A portrait of the actor David Wenham has won this year's Archibald Prize. This is despite the director of the NSW Art Gallery having never seen SeaChange, and having no knowledge of the havoc wreaked on female hearts by the dashing Diver Dan.

 

``I like the painting (by Sydney artist Adam Cullen) because it's like a breath of fresh air blowing in your face,"the director of the gallery, Mr Edmund Capon, said.

 

Told that Wenham was widely regarded as thinking woman's crumpet, Capon said: ``Really? Well, that didn't influence the judges. Nothing to do with it. We're into art here. In fact, I'll make a terrible admission. I didn't have the foggiest idea who it was."

 

Didn't know Diver Dan? Hadn't seen The Boys, an AFI-award winning film that inspired the work?

 

``I never see anything," Capon confessed. ``But despite that, I actually agree with my wonderful, beloved board of trustees (the judges). They made the decision I would have made."

 

The winning A Portrait of David Wenham, by Adam Cullen, was conceived after Cullen saw Wenham in The Boys, rang his agent, then met the actor in a pub.

 

In accepting the $35,000 prize, Cullen credited ``Irish luck on StPatrick's Day", then thanked the trustees, his girlfriend, and dog Growler, who has ``pissed on several paintings, but not this one, so I suppose I'll have to buy him a carcase of something".

 

Cullen said he was incredibly pleased to have won, because he could do with the prize money. ``I also think it's a fantastic picture. I hope you do, too."

 

Asked what he thought, Wenham said: ``Thumbs up. Even though it's a picture of me, it's a great picture." The actor said he enjoyed the experience of being painted for the Archibald. ``It's not ego," he said. ``It's the mystery. I'm only good at stick figures. I can't draw at all. I'm in wonder at the fact that somebody can do this. That's the appeal."

 

Wenham said he was curious to see how Cullen would interpret him, particularly as first impressions were formed from The Boys, a bleak and violent film.

 

``I was scared for a little while," he said. ``The first time he sketched me, he put two horns on me. I didn't know where he was going with that," he said.

 

It is the fourth year that Cullen has entered the Archibald. Last year he was shortlisted for a portrait of his cousin, the actor Max Cullen.

 

Works highly commended yesterday were Jenny Sages' Each Morning When I Wake Up, I Put On My Mother's Face and Garry Shead's Sasha Grishin.