The Advertiser (Adelaide, Australia)

Oct 9, 2003

Gettin' personal.(Features)

Byline: STAN JAMES

 

David Wenham squares off with STAN JAMES about the Australian film industry.

 

DAVID Wenham doesn't hesitate to describe his philosophy of choosing the

movies he makes.

 

``Bums on seats, that's my artistic policy,'' he says in his softly spoken

style.

 

It seems to have worked for him, too.

 

The 38-year-old actor has been on the small and then big screens regularly

since popping up in TV's Sons and Daughters in 1981.

 

Today his new Australian movie, Gettin' Square, opens across Australia, and in

December he again appears as Faramir in The Return of the King, the final

chapter in The Lord of the Rings trilogy.

 

Plus, he's just returned from Hollywood where he completed Van Helsing with

fellow Aussies Hugh Jackman and Richard Roxburgh.

 

``It's been a busy two years. It's good to be home in Sydney,'' he says

simply.

 

Wenham pauses a moment before defining the change in his career which has seen

him in six movies and a mini-series in the three years since Moulin Rouge!.

 

``It's hard to pinpoint turning points in a career but I suppose two points in

the same year, 1998 - SeaChange on TV and a couple of weeks later, (film) The

Boys being released. Both those pieces opened doors for me. SeaChange locally

and The Boys internationally.''

 

Wenham played a violent psychopath in The Boys, with Toni Collette and John

Polson. ``In terms of pure performance, The Boys is one of those films I can

look at and say there are no moments in it I would change.

 

``Then came The Lord of the Rings trilogy as Faramir. I was in New Zealand for

the last four months of principal photography.

 

``That was a truly special moment in my life, just to be involved with the

project.

 

``Peter Jackson is the most extraordinary director I have ever come across, an

amazing and special man. I regard myself as being quite blessed to be

involved.''

 

A completely different project is Gettin' Square, an Aussie crime caper set on

the Gold Coast with Wenham as druggie and hustler Johnny Spitieri.

 

He's joined by a motley crew of associates, including Sam Worthington (of

Bootmen fame) trying to go straight after jail release, Gary Sweet as a money

launderer and Timothy Spall as retired British crime boss Darren Barrington,

trying to run a restaurant on the Gold Coast.

 

Wenham says his role harks back to when he started acting and did more

character work.

 

``Now I've played more leading-men roles. It was good to get back to my

roots,'' he admits.

 

``Director Jonathan Teplitzky gave me the script and said there was a

character in the film I'd just love. He didn't mention which one. Off the page

I knew I could relate to the character.

 

``Very rarely do those kind of characters come along and as an actor you just

go, `yeah'.''

 

Wenham says everybody has come across one Johnny Spitieri in their life, even

if they've just passed him in the street.

 

``His thongs are a very recognisable sound, very rhythmic,'' he says.

 

``I've come across a lot of Johnnys in my life so he is a bit of an amalgam of

them. I spent a lot of time wandering around various parts of Sydney before

filming and just observed people.

 

"Some of the characters and their idiosyncracies were a bit too large. If I

had taken some of those and put them on the screen people would have said I

was over-acting.''

 

Working with legendary British actor Spall was also a drawcard for Wenham, who

has a high opinion of his co-star. ``We were fortunate that Tim said yes to

doing this film because, even before I did the film with Tim, I rated him as

one of my 10 favourite actors in the world,'' he says.

 

Wenham and director Tiplitzky, who steered him through the comedy Better Than

Sex three years ago, have a mutual admiration. ``Jonathan is one of the few

directors I totally clicked with,'' Wenham says. ``Like a football coach, he's

always into positive reinforcement as opposed to bringing up the negatives.

For actors, who are known to be insecure individuals, to have a director like

him is great.''

 

Teplitzky says it was an ``absolute pleasure'' to work with Wenham again.

``He's smart, intelligent and understands it's not just about grandstanding in

a role like that,'' he says.

 

``We agreed not to play it for laughs but a totally earnest, totally serious

character going about his survival. David's an actor of incredible skill and

incredible timing.''

 

Gettin' Square is yet another Australian comedy in a season which has seen so

many crash and sink without trace.

 

Wenham believes it's not a particularly Australian problem.

 

``All around the world local film industries aren't doing well,'' he says.

``It's very frustrating to look at some of the films that have been funded and

you ask `why?' It seems as though there's a hotch-potch of ingredients that

appeal to a few people and they think there's going to be a successful movie

come out of it.''

 

Wenham knows there are no simple answers and says there are problems in the

script assessment area, distribution and marketing.

 

``We don't market and distribute Australian films very well,'' he says. ``The

crash-and-burn strategy of releasing an Australian film, which might have a

niche market, on 150 screens in its opening week is not great strategy. That's

my personal opinion, but marketing experts would beg to differ.''