Sunday Mail (SA)

SUN 26 FEB 2006, Page 093

Hail the Lord of letters

By MATT BYRNE

 

David Wenham is fired up for an absorbing festival production which explores the tormented life of tragic genius Vincent van Gogh, says MATT BYRNE

 

WHEN David Wenham posed for artist Adam Cullen, he never realised where the portrait would lead.

 

The painting won the 2000 Archibald Prize. And when acclaimed director Richard Wherrett saw the portrait, he was immediately struck by the film and TV actor's resemblance to artist Vincent van Gogh.

 

Wherrett had long wanted to present a work combining Gustav Mahler's Earth Symphony with a staged reading of letters by Van Gogh, written during his most prolific and memorable period of work in the 1880s.

 

``Richard approached me about it and I was very interested but the project never got any further at that stage,'' Wenham said. ``I was roughly the same age as Van Gogh when Adam painted my portrait, and I share a great love of nature.''

 

Wherrett died the next year and the project lapsed, until artistic director Brett Sheehy decided to revive it again for the 2006 Adelaide Festival.

Sheehy announced the show, Songs From The Yellow Room, last October but delayed announcing the actor who would present the letters. His patience paid off when Wenham could finally say ``Yes'' two weeks ago.

 

``The project had intrigued me greatly and it was great to be able to finally do it,'' the Lord of the Rings and SeaChange star said.

 

``Since then, it's been quite amazing throwing myself into researching Van Gogh's life, his work and the show.

 

``It's really fired up my creative juices and got the adrenalin flowing and it's extremely nerve-racking packing in so much in such a short time. I wish I had six months to work on it.

 

``But we have to make the most of every minute now and preparing for the show will give me a taste of the intensity of Van Gogh and the way he approached life.''

 

Songs From The Yellow Room is an operatic song cycle featuring mezzo soprano Bernadette Cullen, tenor Keith Lewis and the Australian Youth Orchestra. It's directed by Adam Cook, who Wenham worked with years ago in the original stage production of Louis Nowra's Cosi for Belvoir St Theatre in Sydney.

 

Wenham said he would present six of Van Gogh's letters and there would be six songs. The connection between the music and the letters was ``both artists' love of nature''.

 

``Mahler's The Song of the Earth is very moving and Vincent van Gogh loved nature and had a unique view of the landscape,'' he said.

``Van Gogh set out to present the world in a different light, in a different perspective, and his paintings during this period were among the greatest works he produced.''

 

Wenham said the difference between himself and Van Gogh was ``I can switch off''.

 

``He was totally consumed by his work but I am happy to just live an ordinary life away from the business.

 

``Vincent totally immersed himself in the world he was recreating on canvas. I am passionate about my craft, too, but I know that I have another life that I am very happy with.

 

``The tragedy of Van Gogh is he died never knowing how special his work was, how special he was.

 

``The letters are a poignant look inside the mind and the heart of a genius and Mahler's music will make an evocative companion for his thoughts.''

 

Wenham said Van Gogh's correspondence was extensive.

 

``He wrote hundreds of letters, mainly to his brother, Theo, who was an art merchant who supported Vincent throughout his career.

``The letters reveal much about Van Gogh and I believe The Songs From The Yellow Room will show a new side of him to the audience.''

Wenham said being part of an Adelaide Festival was ``something I have wanted to do for many years''.

 

``I spent two weeks here back in 1996 seeing up to three shows in Barrie Kosky's festival and it was one of the greatest times of my life,'' he said. ``There are many other festivals around Australia but it is still Adelaide that people look to and come to.''

 

Wenham himself is no stranger to acclaim, with an accomplished career ranging from Moulin Rouge and The Boys to the action of Van Helsing.

 

``Van Helsing was a lot of fun, but I don't think there'll be another one,'' he said. ``The Boys was an amazing project; performing it live at the small Stables in Kings Cross in Sydney and seeing people lined up down the street hoping for a ticket from a cancellation was something I'll never forget. Brett was a powerful character to play, just out of prison and looking for trouble.''

 

Playing Faramir in the Lord Of The Rings trilogy was an ``incredible experience'. ``Just seeing how much energy and meticulous planning went into the trilogy was mind-blowing,'' he said. ``You just knew it was going to be something very special.'' It also produced some funny moments.

 

``My horse hated me,'' he said. ``I had ridden horses before and had no problems, but right from the start we never got on. It was a tense relationship. He was quite stroppy and always glad to get back to his trailer. Everyone thought it was funny but me.''

 

Wenham's latest project is the mini-series Answered by Fire.

 

``It's based on the election for Independence in East Timor back in 1999,'' he said. ``I play an Australian Federal Policeman sent there to observe the election process and help maintain order.

 

``It was a very dangerous situation for the Aussies who went there as they were not allowed to carry a weapon and were armed only with commonsense and diplomacy.

 

``It is loosely based on a book by David Savage, a Federal policeman, called Bitter Dawn: East Timor - A People's Story, and it shows what a complex situation they were in.

 

``It's a very powerful contemporary story that needs to be told.''

 

Wenham said Australians needed to tell more of their own stories.

 

``Especially in film and TV, where it is getting harder to fight for space for Australian projects,'' he said.

 

``When the government signed the Free Trade Agreement with the US, they didn't really take into account protecting our culture. When Australian drama costs so much to produce compared to buying an American show as part of a package, it's increasingly difficult to compete.''

 

Wenham said being Australian meant ``being special''.

 

``It's great to appear in films overseas and adopt accents and get nice pay packets, but I like being an Australian. I like using an Australian accent in my work. We should be doing more here to keep our industry and culture alive.''

 

Away from the spotlight, his family life with long-time partner Kate Agnew and daughter Eliza Jane is happy.

 

``I keep it private because I like to keep things normal, but we have a beautiful little girl and life is good.

 

``And now I'd better get back to these letters!''

 

Songs From The Yellow Roomis at Adelaide Town Hall on Saturday and Sunday. Bookings: BASS.

 

Instant expert

Born: David Wenham on September 21, 1965, in Sydney.

l Was the youngest of seven children, with five older sisters and an older brother.

l Nickname is ``Daisy''.

l At school he did impersonations in front of the class, particularly of Prime Minister Gough Whitlam.

l Called bingo in Marrickville Town Hall and was an insurance clerk before becoming an actor.

l Was cast as Faramir in the last two The Lord of the Rings epics because of his resemblance to on-screen brother Sean Bean.

 

Caption:  Man of letters: David Wenham will perform in Songs From The Yellow Room at the Adelaide Festival.

Illus:  Photo: david whenam

Column:  inside entertainment

Section:  FEATURES

Type:  Article