SOUL!
Sunday Tasmanian
SUN 22 MAR 1998
By Elizabeth Stacey
A DISCO
Starring Geoffrey Rush, Heather Mitchell, David Wenham, Frances O'Connor and
John Gaden, the film is short at 85 minutes but big
on originality and laughs.
While the plot is a little difficult to describe in one quick line, A Little
Bit Of Soul is the story of scientist Richard Shorkinghorn (Wenham) who is trying to secure some funding
for research he is doing into slowing down the ageing process.
His prayers are answered by an eccentric, rich women called Grace Michael
(Mitchell) who is married to equally eccentric federal treasurer Godfrey Usher
(Rush).
Unbeknown to Shorkinghorn, the couple
have also taken an interest in his former girlfriend and work partner
Kate Haslett (O'Connor) who is trying for the same funding for the same
research.
When the two scientists are invited to the couple's holiday home for the
weekend, a series of weird and unexpected events unfold. While the movie deals
with some heavy issues such as religion, the ageing process and the price
people will pay for their ultimate dream, it also provides plenty of satire,
silliness, humour and wit.
It was this combination that initially attracted well-known Australian actress
Heather Mitchell to the role of Grace Michael.
``When I first read the script I just laughed and laughed,'' she said. ``I was
in
Born in
``I always wanted to act,'' Mitchell said.
``When I found out that I could actually make a paid career out of it, it
thrilled me.''
In the business for 18 years, Mitchell is one of
She has also worked on many films including Proof, Muriel's Wedding, Children Of The Revolution and Thank God He Met Lizzie.
However, none of her acting experiences have been quite like those in A Little
Bit Of Soul.
``This was one of the most fun films I have worked on and yes, I suppose it's
unusual,'' she said.
``I was thrilled that Peter Duncan (the movie's writer, director and producer)
had me in mind for the role.
``I have great appreciation for Peter's style of work. ``The film is immensely
clever.''
Mitchell said the fact the film had plenty of silliness, yet still dealt with
some interesting and serious topics, gave her the chance to lose herself in the
role.
The silliness and fun of the movie was also a great change of scene for her.
``I seem to be always playing roles in which I am distraught and crying.''
In fact, probably half of Mitchell's role in the show required full on, belly
shaking, thigh smacking, snorting, laughter.
While this may sound like a lot of fun, Mitchell said it also made the role
exhausting at times.
``There were about three or four days of laughing scenes,'' she said. ``There
is one scene where Frances and I are rolling around in shoot laughing.
``We had to keep tickling each other to make each other laugh.
``It took hours and we were completely exhausted by the end of it.'' Filmed in
the middle of a sheep station in a small country town in
set-up.
It also provided some amusing moments, like the night Mitchell volunteered to
get something out of the car for co-star Geoffrey Rush. ``It was late and
Geoffrey asked me to go to the car for him and I
said sure.
``Well I headed across one paddock, and then another,
and it was freezing cold and so dark.
``The skies in the country are huge.
``I became quite terrified and thought, `Why am I
doing this.'''
Despite the scare, Mitchell said the whole country filming experience was a
refreshing one.
``It never felt hectic.
``We didn't have to drive for miles between sets.
``We only had to drive from filming to the pub which the locals kept open late
for us.
``Everyone was really wonderful.''
And just as the role was a refreshing change for Mitchell, A Little Bit Of Soul will be a refreshing viewing change for
cinema-goers. Mitchell said the film had a bit of something for a broad
spectrum of
people.
``The political satire will hopefully appeal to those people in the audience in
their 30s, 40s or 50s,'' she said. ``It's also a romantic comedy so that should
appeal to the younger people.''
Mitchell said the subject matter, while seemingly quite wacky at times, was
also based on relevant issues such as genetic engineering and stopping the
ageing process, politicians and their so-called
expertise, as well as how much people will do to get what they want. She said
this also appealed to a wide variety of people. Mitchell will now put her
serious cap back on for her next project, a role in a mini-series about the
Granville train disaster which happened in