Sunday Territorian SUN 29 MAY 2005, Page 050 On a Wing and a Prayer By STEPHEN JOHNSON WHEN David Wenham, one of our most recognisable faces, searched a bin for food on a Melbourne street few people looked twice. A long-lens camera was hidden from view 35m away as Wenham played the part of Eddie Harnovey, a family man who had just lost his job. A boom pole to record sound was absent as the actor -- best known for playing Diver Dan in the ABC series SeaChange -- wore a radio microphone under a dirty, oversized duffle coat. To onlookers, the streetscape looked nothing like a movie set. Instead Wenham, a thespian from Moulin Rouge and the Lord Of The Rings box office trilogies, resembled just another homeless man leading a broken life on the streets. The director of Three Dollars, Robert Connolly, said the fact that Wenham went unrecognised showed the public often ignored the faces of the homeless. Connolly said the idea of hiding the set was to capture awkward stares. ``What you don't want is for him to be recognised and someone asks for his autograph,'' he said. ``People said you couldn't do it.'' During filming, the only person who recognised him was his partner's friend. Thinking Wenham was going through a crisis, the worried friend rang the actor's home. Connolly said Three Dollars explored the heartlessness of economic rationalism in contemporary Australian society. ``It's about a man forced to face issues of ethical and economic compromise at a time of rising interest rates and downgrading of hospitals -- there's a whole range of social and economic issues that come to bear,'' he said. ``It's a political film, an unashamedly political film.'' Wenham's character, Eddie Harnovey, is a principled man who loses his job as a Victorian public service chemical engineer when he refuses to approve a residential development on toxic land. Times get tougher when wife Tanya (Frances O'Connor who starred alongside Jude Law in Artificial Intelligence) suffers from depression and daughter Abby, 6, (Joanna Hunt-Prokhovnik) is diagnosed with epilepsy. Eddie has just $3 in his bank account and struggles to pay off the mortgage when he befriends a homeless man called Nick -- who is played by Robert Menzies, the grandson of Australia's longest serving Prime Minister Sir Robert Gordon Menzies. Homeless men at the Sacred Heart refuge centre in Melbourne's St Kilda were paid to appear in the film. Connolly said he directed Wenham to play a compassionate man who had minor failings. ``You watch a good man being tested and you hope he will survive,'' he said. ``I would like to think the film's complex enough, you're not sure if he's making the right choices.'' Three Dollars is based on the novel by Elliot Perlman, who worked with Connolly on the screenplay. The book has chronological storytelling while the movie uses interwoven flashbacks, which piece together Eddie's connection with his beautiful and wealthy childhood friend Amanda (Sarah Wynter from the 24 TV series) -- who appears at key moments in his life every nine and a half years. Connolly said Aussie films needed to explore social issues rather than copy successful ones like The Castle. Connolly said Australian comedy The Wog Boy worked but the more recent The Wannabes was an example of films that ``haven't been good enough''. He hoped audiences would compare Three Dollars to the 2001 success Lantana. The graduate of the prestigious Australian Film, Television and Radio School in Sydney, first met Wenham in 1991 when he was directing stage play The Boys, based on the sadistic murder of Sydney's Anita Cobby. ``He was beginning his career as an actor and I was beginning my career as a filmmaker,'' he said.