Politics of soul searching

COURIER-MAIL

13 FEB 1998, Page 012

By PARTRIDGE D

 

If writer-director Peter Duncan could make Stalin amusing, who knows what he can do with Australian politics?

 

Des Partridge reports LOSING his leading actor for a week in the middle of shooting A Little Bit of Soul caused little aggravation for Sydney writer-director Peter Duncan.

 

Not when the actor was Geoffrey Rush and the reason for his absence was a quick trip to Los Angeles to attend the 1997 Golden Globes ceremony.

 

History now records that Rush's trip was worthwhile. He came home with a Golden Globe and then, two months later, returned to Los Angeles to collect the major prize, an Academy Award _ all for his role of pianist David Helfgott in the Australian feature, Shine.

 

Duncan, who first came to the attention of Australian and international movie audiences with his 1996 satirical comedy Children of the Revolution (with Rush in a featured role opposite Judy Davis), recalled the Shine juggernaut was really starting to roll when he was preparing to film A Little Bit of Soul around Glen Innes in the northern New South Wales highlands in late January last year.

 

``It was of behemoth proportions, really,'' he said, ``but all the actors involved in the shoot at Glen Innes were friends and we all wanted the best for Geoffrey.

 

``Besides, we knew that having him in the film would be good for our movie, too.''

 

Duncan's new film continues the screwball comedy tradition of American director Howard Hawks, particularly in scenes featuring Rush's young supporting stars, David Wenham and Frances O'Connor, in what publicity notes describe as ``a light-hearted Faustian satire''.

 

Imagine an Australian federal treasurer _ who eventually becomes prime minister _ who worships the Devil and gets up to all sorts of hijinks during weekend retreats at his country property!

 

``Inevitably I know the jodhpurs and the squatter's hat will mean someone is going to draw comparisons between Geoffrey's character of Godfrey Usher and Malcolm Fraser but I was trying to be reasonably politically generic,'' said 33-year-old Duncan, a former para-legal who admits to being fascinated by Australian politics and history.

 

In the film, AFI Award-winner Wenham and the busy O'Connor are rival scientists and former sweethearts studying the human ageing process. They spend a weekend in the country in their quest for research funds from a trust administered by the federal treasurer's wife (played by Heather Mitchell).

 

``I wanted to examine the way that people's lives become distorted _ the way people sell their souls to achieve power, whatever they're involved in _ science, politics, even the arts. I wanted to remind people `to thine own self be true','' said Duncan.

 

Duncan, who works from an office in his Sydney home, was able to shoot most of A Little Bit of Soul on a Glen Innes property owned by a friend from his primary school days.

 

His interest in film began when he was 16, and a 30-minute film he wrote and directed won a United Nations junior media peace prize.

 

``You'd think I would have been aware from then that film was what I really wanted to do instead of going into law studies. But I am embarrassed to look at a tape of the film now _ it's really so bad. I should destroy it but I haven't been able to do that yet,'' he says.

When the opportunity to play a bit part in the movie as a lawyer came up, Duncan couldn't resist.

 

``It was the fulfilment of a legal dream, I guess, to be able to stand up in court in a wig and gown cross-examining the Australian prime minister in a big murder trial,'' Duncan admitted.

 

To find out what murder has to do with the prime minister, you'll have to see his film.

 

Film major Columbia-TriStar are distributing A Little Bit of Soul in Australia and overseas after a deal was made at last year's Cannes film festival, where Duncan found himself rubbing shoulders with Martin Scorsese, Gerard Depardieu, Roman Polanski _ and the Spice Girls.

``I couldn't believe Cannes. It was their 50th anniversary year . . . and there they were, the Spice Girls, dominating everything. Real film-makers were in the background.''

 

A Little Bit of Soul was made for a modest $1.5 million, which Duncan and his associates raised themselves.

 

``I've nothing against working with state film bodies but their processes can be a little slow. Columbia will be putting a lot of support into the marketing of it. Their expertise will help lift the film's profile.''

 

Duncan starts shooting in Sydney on April 20 on his next feature, called Passion, dealing with six years in the life of Australian-born composer Percy Grainger, who practised sado-masochism. Richard Roxburgh will star in the film, written by former prime minister Paul Keating's speech writer, Don Watson, from a play by Rob George.

 

A Little Bit of Soul opens on March 19.